{"title":"STATEMENT SCARVES","description":"\u003cp\u003eTransitioning seasons call for the versatility of an oversized scarf. \u003c\/p\u003e","products":[{"product_id":"the-celestial-steed-cashmere-shawl-135","title":"The Celestial Steed Cashmere Shawl 135","description":"\u003cp\u003eCaught fast in the chasm between night and day, The Celestial Steed is paused in step. Below the heraldic sun, lit by the moon of Galileo Galilei and gilded by the stars of Giotto, we see the pure architectural majesty of this magnificent mount. The silvered metallics of the armoured sabaton and glove are softened by carnations, a simple symbol of divine and earthy love under a cosmic sky. Known as ‘solsequeter’, daisies below open and close with the sun; a powerful sign of resurrection. \u003c\/p\u003e\n\n\u003cp\u003eThe Celestial Steed was inspired by Italian Renaissance paintings and cultural events alongside beliefs and attitudes of the era; the dichotomy of idealism versus naturalism opening a portal to landscapes of fantasy, a ‘New World’. Inspired by Orso, the unrecognised equestrian star of the famous jousting tournament held by Lorenzo di Medici in 1469, the stark, strong motif of this design was largely influenced by the disarming boldness and architectural simplicity of Antonio Pisanello’s studies of horse heads in his famed Codex Vallardi, alongside equestrian works by Dürer, and various frescoes and masterpieces of the Renaissance era. The armorial elements, such as the sabaton shoe atop the steed’s back, the gauntlet below, and the candy-striped jousting pole all reference historical examples from the Renaissance, while the horse’s striped and embellished carnival attire was inspired by a German illustrated tournament book of the era. The inclusion of sheer fabric is an allusion to Renaissance artwork and symbolism, a juxtaposition of strength and delicacy. Similarly, the metallic armorial elements are holding dainty, fragile flowers; carnations symbolising devotion and divine love, daisies mirroring solar movements throughout day and night; the setting of the sun is inevitably followed by its rising, and there can be no more powerful symbol of hope and resurrection.  \n\u003cbr\u003e \n\u003cbr\u003eThe whimsical text within the design references Giuliano di Medici’s famous mount.\u003c\/p\u003e","brand":"Fairytale Di Firenze","offers":[{"title":"Celadon\/Salt \/ Green","offer_id":47725723025649,"sku":"SS-FDF-019","price":650.0,"currency_code":"GBP","in_stock":true},{"title":"Mercury\/Moonstone \/ Blue","offer_id":47725723058417,"sku":"SS-FDF-020","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/9344\/6038\/files\/TheCelestialSteed-Cashmere-CeladonSalt-OnModel.jpg?v=1769512681"},{"product_id":"the-glass-swan-cashmere-shawl-135","title":"The Glass Swan Cashmere Shawl 135","description":"\u003cp\u003eTranquil in a kaleidoscopic prism of time, The Glass Swan rests in a diffusion of pastel colour. The castle courtyard presents a still life of glinting fruits and glistening glass. Delicate light refracts through filmy bubbles, gossamer flags, glazed orbs and crystalline liquids, piercing yet causing no harm: a symbol of immaculate purity. Glossy, baroque pearls signify preciousness and truth, while crumpled mountains rise from the chalky waters beyond. Tiny insects symbolise nature’s transience.  \u003c\/p\u003e\n\n\u003cp\u003eThe Glass Swan was inspired by Italian Renaissance paintings and cultural events alongside beliefs and attitudes of the era; the dichotomy of idealism versus naturalism opening a portal to landscapes of fantasy, a ‘New World’. Glass, bubbles and delicate, translucent fabrics were all employed within Italian Renaissance art as a metaphor or philosophical allegory for the immaculate conception, for light passes through these objects without causing harm. In this vein, Botticelli’s Primavera and The Birth of Venus were referenced, in tandem with strings and chains of pearls, denoting purity, preciousness and truth. The immediate scene around the protagonist is a Renaissance still life; again, translucent liquids and glass objects are employed for their symbolism, while citrus (known as ‘medicinal apples’) are abandoned half-peeled. Small creatures, such as wasps and snails, act as symbols of the brevity and impermanence of life. Bordered by a satin ribbon, the scene is laid within a fairytale landscape, where pastel palaces and elegant spires extend into the hazy skies from atop the lofty mountains. This is no ordinary view; it is a place where the immortals tread, the state between earth and heaven.  \u003c\/p\u003e\n\n\u003cp\u003eThe whimsical text within the design is a play on Botticelli’s The Birth of Venus.\u003c\/p\u003e","brand":"Fairytale Di Firenze","offers":[{"title":"Crystal\/Calcite \/ Blue","offer_id":47725723517169,"sku":"SS-FDF-021","price":650.0,"currency_code":"GBP","in_stock":true},{"title":"Iris\/Opal \/ Purple","offer_id":47725723549937,"sku":"SS-FDF-022","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/9344\/6038\/files\/TheGlassSwan-Cashmere-CrystalCalcite-OnModel.jpg?v=1769513602"},{"product_id":"the-medici-cheetah-cashmere-shawl-135","title":"The Medici Cheetah Cashmere Shawl 135","description":"\u003cp\u003eFrom an arched lunette high in the castle turrets, The Medici Cheetah reclines languorously. The scene below is an unfinished fresco bathed in hazy light. Once the province of Gods and birds, this ethereal aerial view presents a forbidden landscape of promises; the Elysian fields, a surrealist earthly paradise with a Babelian tower. Unblemished, soft white petals contrast with luminous, glassy fruits: purity and blood. Columbines crown the captive cheetah’s head, while the noble dove brings news.   \u003c\/p\u003e\n\n\u003cp\u003eThe Medici Cheetah was inspired by Italian Renaissance paintings and cultural events alongside beliefs and attitudes of the era; the dichotomy of idealism versus naturalism opening a portal to landscapes of fantasy, a ‘New World’. Within a scene largely inspired by The Arrival in Bethlehem by Master LC, we find mythological or fantasy buildings such as the Tower of Babel (Bruegel The Elder), juxtaposed with real architecture from Medici Florence and its surroundings, such as The Tower of Pisa, the Basilica di Santa Croce, and the Battistero di San Giovanni. Our feline protagonist lounges in the foreground, reclining like Titian’s Venus D’Urbino, the languid, skyward gaze a common feature of Renaissance portraiture. Late in 1487, the sultan of Egypt presented a female giraffe to Lorenzo de' Medici, which appears within the landscape of this design preparing for the carnival, with several other impressive but nonindigenous creatures. Hieronymus Bosch’s The Garden of Earthly Delights also contained a giraffe, an elephant and a leopard, alongside anachronous plants, red fruits, and flowers, here in the form of white tulips, cherries and pomegranate, symbolising the blood and flesh of Christ and illustrated in the fashion of Schreiber’s illuminated manuscripts. During the Renaissance, the columbine was primarily a Christian symbol, particularly associated with the Holy Spirit due to its dove-like appearance. The banded sky references a 1465 painting, La Divina Commedia di Dante, by Domenico di Michelino, located in the Florence Cathedral.  \u003c\/p\u003e\n\n\u003cp\u003eThe whimsical text within the design is a play on Titian’s The Venus D’Urbino.\u003c\/p\u003e","brand":"Fairytale Di Firenze","offers":[{"title":"Morello\/Mint \/ Pink","offer_id":47725723779313,"sku":"SS-FDF-023","price":650.0,"currency_code":"GBP","in_stock":true},{"title":"Musk\/Maraschino \/ Blue","offer_id":47725723812081,"sku":"SS-FDF-024","price":650.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/9344\/6038\/files\/TheMediciCheetah-Cashmere-MorelloMint-OnModel.jpg?v=1770721705"},{"product_id":"the-celestial-steed-silk-twill-rectangle","title":"The Celestial Steed Silk Twill Rectangle","description":"\u003cp\u003eCaught fast in the chasm between night and day, The Celestial Steed is paused in step. Below the heraldic sun, lit by the moon of Galileo Galilei and gilded by the stars of Giotto, we see the pure architectural majesty of this magnificent mount. The silvered metallics of the armoured sabaton and glove are softened by carnations, a simple symbol of divine and earthy love under a cosmic sky. Known as ‘solsequeter’, daisies below open and close with the sun; a powerful sign of resurrection. \u003c\/p\u003e\n\n\u003cp\u003eThe Celestial Steed was inspired by Italian Renaissance paintings and cultural events alongside beliefs and attitudes of the era; the dichotomy of idealism versus naturalism opening a portal to landscapes of fantasy, a ‘New World’. Inspired by Orso, the unrecognised equestrian star of the famous jousting tournament held by Lorenzo di Medici in 1469, the stark, strong motif of this design was largely influenced by the disarming boldness and architectural simplicity of Antonio Pisanello’s studies of horse heads in his famed Codex Vallardi, alongside equestrian works by Dürer, and various frescoes and masterpieces of the Renaissance era. The armorial elements, such as the sabaton shoe atop the steed’s back, the gauntlet below, and the candy-striped jousting pole all reference historical examples from the Renaissance, while the horse’s striped and embellished carnival attire was inspired by a German illustrated tournament book of the era. The inclusion of sheer fabric is an allusion to Renaissance artwork and symbolism, a juxtaposition of strength and delicacy. Similarly, the metallic armorial elements are holding dainty, fragile flowers; carnations symbolising devotion and divine love, daisies mirroring solar movements throughout day and night; the setting of the sun is inevitably followed by its rising, and there can be no more powerful symbol of hope and resurrection.  \n\u003cbr\u003e \n\u003cbr\u003eThe whimsical text within the design references Giuliano di Medici’s famous mount.\u003c\/p\u003e","brand":"Fairytale Di Firenze","offers":[{"title":"Celadon\/Salt \/ Green","offer_id":47725727416561,"sku":"SS-FDF-025","price":515.0,"currency_code":"GBP","in_stock":true},{"title":"Mercury\/Moonstone \/ Blue","offer_id":47725727449329,"sku":"SS-FDF-026","price":515.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0577\/9344\/6038\/files\/TheCelestialSteed-SilkRectangle-CeladonSalt-OnModelBack.jpg?v=1769520070"},{"product_id":"the-glass-swan-silk-twill-rectangle","title":"The Glass Swan Silk Twill Rectangle","description":"\u003cp\u003eTranquil in a kaleidoscopic prism of time, The Glass Swan rests in a diffusion of pastel colour. The castle courtyard presents a still life of glinting fruits and glistening glass. Delicate light refracts through filmy bubbles, gossamer flags, glazed orbs and crystalline liquids, piercing yet causing no harm: a symbol of immaculate purity. Glossy, baroque pearls signify preciousness and truth, while crumpled mountains rise from the chalky waters beyond. Tiny insects symbolise nature’s transience.  \u003c\/p\u003e\n\n\u003cp\u003eThe Glass Swan was inspired by Italian Renaissance paintings and cultural events alongside beliefs and attitudes of the era; the dichotomy of idealism versus naturalism opening a portal to landscapes of fantasy, a ‘New World’. Glass, bubbles and delicate, translucent fabrics were all employed within Italian Renaissance art as a metaphor or philosophical allegory for the immaculate conception, for light passes through these objects without causing harm. In this vein, Botticelli’s Primavera and The Birth of Venus were referenced, in tandem with strings and chains of pearls, denoting purity, preciousness and truth. The immediate scene around the protagonist is a Renaissance still life; again, translucent liquids and glass objects are employed for their symbolism, while citrus (known as ‘medicinal apples’) are abandoned half-peeled. Small creatures, such as wasps and snails, act as symbols of the brevity and impermanence of life. Bordered by a satin ribbon, the scene is laid within a fairytale landscape, where pastel palaces and elegant spires extend into the hazy skies from atop the lofty mountains. 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Once the province of Gods and birds, this ethereal aerial view presents a forbidden landscape of promises; the Elysian fields, a surrealist earthly paradise with a Babelian tower. Unblemished, soft white petals contrast with luminous, glassy fruits: purity and blood. Columbines crown the captive cheetah’s head, while the noble dove brings news.   \u003c\/p\u003e\n\n\u003cp\u003eThe Medici Cheetah was inspired by Italian Renaissance paintings and cultural events alongside beliefs and attitudes of the era; the dichotomy of idealism versus naturalism opening a portal to landscapes of fantasy, a ‘New World’. Within a scene largely inspired by The Arrival in Bethlehem by Master LC, we find mythological or fantasy buildings such as the Tower of Babel (Bruegel The Elder), juxtaposed with real architecture from Medici Florence and its surroundings, such as The Tower of Pisa, the Basilica di Santa Croce, and the Battistero di San Giovanni. Our feline protagonist lounges in the foreground, reclining like Titian’s Venus D’Urbino, the languid, skyward gaze a common feature of Renaissance portraiture. Late in 1487, the sultan of Egypt presented a female giraffe to Lorenzo de' Medici, which appears within the landscape of this design preparing for the carnival, with several other impressive but nonindigenous creatures. Hieronymus Bosch’s The Garden of Earthly Delights also contained a giraffe, an elephant and a leopard, alongside anachronous plants, red fruits, and flowers, here in the form of white tulips, cherries and pomegranate, symbolising the blood and flesh of Christ and illustrated in the fashion of Schreiber’s illuminated manuscripts. During the Renaissance, the columbine was primarily a Christian symbol, particularly associated with the Holy Spirit due to its dove-like appearance. 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Inspired by Orso, the unrecognised equestrian star of the famous jousting tournament held by Lorenzo di Medici in 1469, the stark, strong motif of this design was largely influenced by the disarming boldness and architectural simplicity of Antonio Pisanello’s studies of horse heads in his famed Codex Vallardi, alongside equestrian works by Dürer, and various frescoes and masterpieces of the Renaissance era. The armorial elements, such as the sabaton shoe atop the steed’s back, the gauntlet below, and the candy-striped jousting pole all reference historical examples from the Renaissance, while the horse’s striped and embellished carnival attire was inspired by a German illustrated tournament book of the era. The inclusion of sheer fabric is an allusion to Renaissance artwork and symbolism, a juxtaposition of strength and delicacy. 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In this vein, Botticelli’s Primavera and The Birth of Venus were referenced, in tandem with strings and chains of pearls, denoting purity, preciousness and truth. The immediate scene around the protagonist is a Renaissance still life; again, translucent liquids and glass objects are employed for their symbolism, while citrus (known as ‘medicinal apples’) are abandoned half-peeled. Small creatures, such as wasps and snails, act as symbols of the brevity and impermanence of life. Bordered by a satin ribbon, the scene is laid within a fairytale landscape, where pastel palaces and elegant spires extend into the hazy skies from atop the lofty mountains. 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Our feline protagonist lounges in the foreground, reclining like Titian’s Venus D’Urbino, the languid, skyward gaze a common feature of Renaissance portraiture. Late in 1487, the sultan of Egypt presented a female giraffe to Lorenzo de' Medici, which appears within the landscape of this design preparing for the carnival, with several other impressive but nonindigenous creatures. Hieronymus Bosch’s The Garden of Earthly Delights also contained a giraffe, an elephant and a leopard, alongside anachronous plants, red fruits, and flowers, here in the form of white tulips, cherries and pomegranate, symbolising the blood and flesh of Christ and illustrated in the fashion of Schreiber’s illuminated manuscripts. During the Renaissance, the columbine was primarily a Christian symbol, particularly associated with the Holy Spirit due to its dove-like appearance. 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