The Royal Beasts are unexpectedly freed to experience the joys of life beyond The Tower walls.
As the true tale goes, widely reported in 1830, the animal warden at the Tower of London is in the process of cleaning the pens when he unwittingly raises the partition between two stalls, thus allowing a Barbary lion (a North African species, now sadly extinct) and a Bengal tigress to meet. They set upon each other at once and a vicious battle ensues, leading to a tragic and unpleasant end. In this story, I will be telling a rewritten narrative of events; a tale of what could have been.
As he absent-mindedly operates the pulley system on an empty cage, the young wildcat warden is distracted and tired. The iron-barred door before him begins to creak and raise as usual, although now he hears an echo of the sound all around him. He turns his head in confusion, and sickeningly realises he has triggered the central pulley, releasing all the cage doors. Before he can fathom his mistake, every beast in The Tower is released. Quietly at first, and then building to a crescendo, a cacophony of excited cries and shrieks rings out, reverberating around the stone courtyard. The warden swiftly flees for his life, fearing the animals’ wrath for their years of misery at the hands of The Crown.
The King’s lion lets out an almighty roar, before setting off over the cobbles at quite a pace, lashing out at any object in his path. He is closely pursued by the tigress, bewildered and confused, but ecstatic and elated to be free. The pair bound effortlessly and joyfully, stretching their limbs and flicking their tails for the first time in several long years. Following behind, the zebra is a little more cautious in her approach; She gently steps out of her enclosure, sniffing and pawing at the ground. The reason for her apprehension becomes apparent when, from behind her flank, a set of unsteady, spindly legs appear. She has a foal in tow, and she knows this mistaken release may be his only chance of safety. With a toss of her head and a flick of her tail, she bravely leads her young into the unknown. They trot across the courtyard toward the open iron gates, left mangled and dangling from their hinges by the great elephants before them. Above their heads, bursting forth from the aviary, the parrots sing and squabble. Confined to their enclosure since their capture, they have been too cramped to fly or even fully stretch out; Now, they swoop and twirl about in sheer joy at their situation, calling to those poor creatures too afraid to leave their stalls. Their jewel colours glimmer and shine, and they fly low through the passages of The Tower, seeking their escape.
The beasts of The Menagerie follow the parrots’ song and are lead dancing through the halls to The Jewel House. They crash their way through the precious artefacts, gathering adornments as they twist and twirl, out through Traitor’s Gate and on into the parks of London town.
Inspiration
This collection is based around the true story of The Royal Menagerie housed at The Tower of London, beginning with a pair of lions during the reign of King John, circa 1200 (he didn’t know where else to put them) and finally ending with over 280 beasts in 1835. Throughout history, Kings and rulers have been wont to proffer each other lavish gifts, and many believed live, wild animals to be suitable offerings. These creatures were usually boxed in tight cages, and sent on long, distressing journeys across vast seas to reach their new captors in unfamiliar lands. The illustrations in this collection reference many of the astounding and unusual zoological tales recorded from The Tower and encompass much of the history and legend of the building itself. From King Henry III’s polar bear, collared and chained to fish in the river Thames, to Old Martin, the grizzly bear gifted to King George III, these animals lived an undoubtedly miserable life. These species were foreign, and the London keepers were not experienced as to their needs. The ill-fated ostriches were believed to be capable of digesting metal, so were fed iron nails, while the elephants were offered red wine and prime cuts of beef. The Crown Jewels are still housed within The Tower today, and real items from the Royal collection are referenced in these works. The enormous, fantastical paintings of Walton Ford were a major influence in style and subject matter, alongside details from the botanical illustrations of British artist Jane Loudon (1807-1858). This collection also contains text and composition inspiration from real posters advertising the wild beasts of The Royal Menagerie.
Process
View the collection illustrations in progress, and see how the drawings transform into detailed and intricate scarf designs. Sabina creates a story for each collection, as shown below, which is then illustrated and narrated through her elaborate handiwork.
The Campaign
Welcome to our our Spring / Summer 2020 Campaign, The Tower Menagerie.
Shop the Collection
A range of beautiful fabrics are available for each design, from classic silk twill to our sumptuous signature wool and silk blend. Each piece is printed and hand finished by artisans in the UK.